Klaas Bos, founder and owner of the Classical Organ Centre, plays on one of their signature instruments, the Content Organ. Photo courtesy of Klaas Bos

A Dutchman’s love of organs is transplanted to Canada

By 
  • September 8, 2012

Klaas Bos, the founder and owner of the Classical Organ Centre in Norwich, Ont., first fell in love with the instrument in his native Holland.

“When I was back in Holland, I immigrated (to Canada) in 1989, I got interested in organs. A lot of times, like on a Saturday afternoon, we’d go to an organ dealer and play a couple songs,” Bos told The Catholic Register.

While there, he got to know an organ dealer who, being wheelchair bound, would ask Klaas to assist him with deliveries and in fixing small parts.

“I got acquainted with the organs, like the ‘guts’ side of it,” said Bos.

After moving to Canada, Bos wanted to get back in the organ business, and decided to start up a market for European-style organs.
“I bought myself a ticket, went back to Holland and met with seven of the dealers that I knew personally and I knew wouldn’t ‘pull the skin over my nose,’ ” laughs Bos.

So, in 1992, the Classical Organ Centre was born, with an emphasis on the Content brand of instruments — a make of pipe organ from the Netherlands that was not common in the Canadian market.

“It was not known here, so this was a big step for me to do,” said Bos.

“Obviously, trying to market something that people know is a lot easier than trying to market something that people don’t know about. But, I thought to myself: ‘I’m going to stick to my guns.’ ”

That attitude has paid off, as Classical Organ now exclusively sells the Content brand, a move Bos feels secures his company a certain niche in the organ industry.

“The capabilities that are in the Content organs, they go far beyond what any other organ in the industry can do at this moment, especially with the new Cantata series,” said Bos. “Everything is totally adjustable.”

The Content brand, while digital, allows for a user-friendly set up that can be easily modified to suit the needs of the setting or player. The style of play can be adjusted to suit different voicing, such as a more European-style Baroque sound to a Romantic sound, from a symphonic pipe organ to a cathedral pipe organ.

Additionally, the Classical Organ Centre will also accommodate existing manual pipe organs by creating a hybrid instrument — the melding of some the original pipe work with an electric instrument so that both components can act together.

“We set it up for the customer — we ask them what do they like, where do they want to be. From there we follow up a bunch of times to see if that’s exactly where they want it,” said Bos.

“For all these extra features and options, the price doesn’t go up.”

From a performance standpoint, Bos also notes that the sheer adaptability of the Content organ can allow the player a multitude of different musical experiences that he may not have previously been able to have.

“When I started, I was always a more Romantic-style player,” said Bos. “Now, because it’s just a matter of hitting a button and you have a totally different organ, I’m getting more interested in Baroque music and symphonic music.

“Because it’s on here, I practise with it and see the value of the different organs.”

For more information go to www.classicalorgan.ca.

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