BALTIMORE, Md. – No one knows who killed Sister Catherine Ann Cesnik.

Ernesto Castro believes in putting his art where his faith is.

Somehow I managed to miss the film Jackie during the Christmas season, but I watched it, twice, on recent long flights to and from the East coast. Like many others, I was struck by its moody, more “European” style, the high quality of the acting, especially on the part of Natalie Portman, and its historical verisimilitude. But what particularly impressed (and surprised) me were the scenes between Mrs. Kennedy and a sympathetic priest.

NEW YORK – Early on in "King Arthur: Legend of the Sword" (Warner Bros.), the audience is treated to the sight of magically generated giant elephants swinging boulder-size wrecking balls at the ramparts of Camelot. It's an apt visual considering how ponderous this action fantasy turns out to be.

NEW YORK – Sound fundamental values underlie the spirited sci-fi follow-up "Guardians of the Galaxy Vol. 2" (Disney). But thematic elements demanding discernment, together with some less than family-friendly dialogue, make this return to the stars best for grown-ups.

Fr. Stan Fortuna, better known as “the rapping priest,” is being featured in several events in the Hamilton, Ont., area May 5-6.

Mystics, missionaries and martyrs helped found the Church in Canada. Their lives of faith, their dreams, their failures and successes set the template for who we are meant to be. Which is why a summer pilgrimage to the Martyrs’ Shrine in Midland, Ont., can be more than a pleasant Sunday outing.

Five hundred years of division in the Western Christian tradition has yielded 50 years of striving for unity — and some of the best theology of our times, Regina Archbishop Don Bolen said at the launch of a new book of essays on ecumenism.

It smacks us in the face pretty much every day — that sluggish, sinking-in-the-quicksand sensation of knowing what we should be doing, but not doing it.

WASHINGTON – "The Promise," a film dramatizing the genocide of Armenians in the Turkish-ruled Ottoman Empire at the outset of World War I, was two years in the making, but probably a half-century in the idea stage, according to George Winter, one of the movie's producers.