{mosimage}It’s always a mistake to imagine we know exactly what original sin is. Narrowing it down to illicit sex, lies, greed, violence etc. narrows down our humanity and tempts us to imagine that by some heroic effort or stroke of genius or act of contrition we might make it all right, take back that original sin, undo the fall.

{mosimage}One of the most useless and common complaints about the movies is that they’re not like real life. It’s like complaining that the water is wet, or exercise makes you tired.

{mosimage}A lot of very smart people in command of rare skills, incredible technology and huge amounts of money have once again made an absurd movie — a numbingly violent, cops-versus-the-social-ills-of-America fantasy that makes no sense and bears no relationship with real people or the real world.

{mosimage}It's not often that an explicitly Christian movie, indeed an explicitly Catholic one, escapes the toxic treacle of sentimentality and nostalgia or the pompous pedantry of polemics. Henry Poole is Here tackles miracles, faith, hope, doubt, despair and the difference Christ makes in real lives with straightforward honesty, intelligence and heart.

It's a good movie.

{mosimage}The first big summer blockbuster movie was about an enormous, morally neutral, ravenous shark who arrived on a New England beach ready to punish everything from skinny dipping to political hypocrisy and capitalist greed. Jaws was big, loud, spectacular and scary.

In the 33 years since Steven Spielberg’s most original film, directors have dedicated each summer to overwhelming our senses, scaring us silly and making a pile of cash out of young audiences on vacation.

{mosimage}The spirit of Frank Capra — the Depression-era director who made such hope-filled family fare as It’s a Wonderful Life and Mr. Smith Goes to Washington — still haunts Hollywood as America stares down its worst economy since the 1930s, according to Siobhan Fallon, the veteran Catholic character actor who co-stars with Renée Zellweger and Harry Connick Jr. in the romantic screwball comedy New In Town .

That Capra-like embrace of American ideals includes the film’s PG rating. Just weeks before New In Town’s Jan. 30 release, the movie was recut to remove mild profanities and avoid a PG-13 rating from the Motion Picture Association of America .

In “Songs of Innocence and Experience ,” William Blake, poet of the industrial revolution, asks the Tiger (or Tyger, as he spelled it), “Did he who made the Lamb make thee?” He asks the lamb, “Dost thou know who made thee?”

Old, mad Blake seems to haunt Hollywood this Oscar season. Each of the five films nominated for best picture in the 81st running of the Academy Awards Feb. 22 tells a story of innocence and experience — of how we pass from trust to terror, and what we lose and what we gain when we learn the truth about the world and our role in it.

{mosimage}A certain kind of reviewer, many of them working for the religious press, is going to object to Repo Men because of all the blood and swearing. As if morality consisted of a list of banned words and bodily fluids.

Catholics know morality has nothing to do with purity codes or legalisms. When legalists (sometimes Pharisees and sometimes Scribes) confronted Jesus over purity issues (ceremonial washing before meals), His response was derisive.

PICKERING, ONT. - When Doug Barry gets to the scourging of Christ in his one-man performance of the Passion, he plays the part of the soldier who wields the whip. The soldier turns to the audience and says, “You sit there thinking you are 2,000 years removed from this in your little, sanitized, religious box.”

The rest of the hour to hour-and-15-minute performance is an elaboration of that one, central point.

“If we do not make that connection — that this was not just an historical event that happened 2,000 years ago — then it’s easier for us to detach ourselves from our sin today,” Barry told The Catholic Register.

TORONTO - Salt + Light Television CEO Fr. Tom Rosica is trying to convince a vocal segment of Canada’s Catholic TV audience there is no dark conspiracy against Catholic television.

Since news broke of Bell TV’s decision to drop the Eternal Word Television Network (EWTN) from its satellite offerings, Salt + Light has been bombarded with e-mails, phone calls and letters from “people who automatically jumped to conclusions that this was an all-out attack against the Church,” Rosica told The Catholic Register.

Responding to angry blog posts, many of the callers and writers seem to believe in a conspiracy against Catholics rather than a straight business decision on the part of Bell, Rosica said.