Arts News
Bite the dust: Vatican Museums employ old-fashioned way to preserve art
By Carol Glatz, Catholic News ServiceVATICAN CITY - To counteract the onslaught of 20,000 visitors a day -- upward of 5 million a year -- the Vatican Museums have adopted an old-fashioned method to help protect its priceless works of art: dusting.
Current best practices for the preservation of museum pieces entail preventing or hindering problems from developing in the first place, Antonio Paolucci, director of the museums, said at a March 15 conference.
So-called preventative conservation includes high-tech solutions like climate control, protective displays and lighting systems that keep delicate colors and media from damage and deterioration, he said.
But the most overlooked -- and yet, best -- solution is the low-tech practice of dusting, buffing and tiny touch ups, he said at a conference on the museums' efforts to better protect the Vatican's artistic heritage.
With 200,000 objects -- 20,000 of which are on public display -- 27,000 square feet of frescoes, and 4.35 miles of exhibit space, the Vatican Museums have plenty to keep clean and cared for.
Past practice had been to care for items by restoring them after they succumbed to the forces of time and nature, said Vittoria Cimino, head of the museums' Office of Conservation.
Prevention, however, is the best medicine and in that effort, Paolucci established the conservation office in 2009 to be "the eye of the museum director to track the health of the (museums') heritage," he said.
The office then began a systematic protocol of dusting, monitoring and documenting every object, and storage and display room in the museums' custody.
Five days a week, every afternoon, four specialists trawl a designated area with brushes, dust cloths and specialized vacuums strapped to their backs. Workers may be mounted from cherry pickers, ladders or scaffolding to reach high ceilings, window sills and walls, bent over floor mosaics, gently polishing pottery and marble or sucking dust from the velvet drapes of gilded papal carriages.
The experts photograph every object and area they clean and write up a report documenting its current state and potential problems, Cimino said. Every department, including the restoration department, then have access to the data and know exactly what got cleaned and how it looks.
The cleaners make at least two rounds a year while heavily trafficked areas get a cleaning seven or eight times a year, she said.
The office has also installed nearly 100 sensors in various places to monitor and record everything from temperature to humidity and UV light intensity. Remote radio sensors relay the data to the central office in real time, allowing workers to pinpoint problems immediately and contact the appropriate technicians to intervene, she said.
Unfortunately, only a small portion of the museums is properly climate controlled. And custodians opening the windows to alleviate the stifling heat and humidity in the summer only make the problem worse, she said.
Some areas now have special drapes that reflect the sun's rays cutting down on the amount of heat and light pouring through, she added.
Paolucci said establishing the conservation office was one of his proudest achievements.
He said it is helping him fulfill his duty to his clients: preserving what was handed down from the past for "the men and women who stand in line waiting to see the museums and the men and women who have yet to born."
Autistic Edmonton artist finds a voice with her work
By Ramon Gonzalez, Canadian Catholic NewsEDMONTON - Meghan Burnside has been painting proficiently for seven years — about as long as she has been able to speak more than a few words.
The 27-year-old Edmonton artist is autistic and for the first 18 years of her life barely uttered a word. But last month one of her paintings — The Sacred Heart of Jesus — went on display at City Hall after she won first prize in a competition sponsored by Grant MacEwan University.
Tapping on heaven's door: New York Seminarian keeps a foot in the dance world
By Cindy Wooden, Catholic News ServiceVATICAN CITY - David Rider still does the occasional barrel roll, but now he usually does it wearing a Roman collar. He's kept his tap shoes since entering the seminary, but his goal has changed dramatically.
"I just want to be a normal parish priest. What I see myself doing is the thing I'm preparing to do, which is celebrate the Mass devoutly, hear confessions, baptize babies, and bring God to people in their suffering and their joy," the 27-year-old New York archdiocesan seminarian said.
Getting to the heart of the legend of Joan of Arc
By Herman Goodden, Catholic Register SpecialThe product of a decidedly old-world upbringing, French-Canadian filmmaker Dany Chiasson has produced a thoughtful meditation on one of the world’s great saints that feels utterly timeless.
Chiasson grew up with her five siblings in the remote Iles de la Madeleine region of Quebec. Raised in a devoutly Catholic home, as a young girl Chiasson would make the long trek to Mass each Sunday and would listen, enthralled, as her grandmother talked about the saints, most particularly Joan of Arc (1412-31).
“Through Joan of Arc’s story, I learned about devotion, courage, going beyond our limits, France, the medieval times, women, the Catholic Church, the big schism, royalty . . . all that was fascinating to me,” said Chiasson, wife of Toronto director Bruce McDonald.
God's Word: New exhibit shows Bible's evolution, beauty, perseverance
By Carol Glatz, Catholic News ServiceVATICAN CITY - Desecration, censorship, the ravages of time and even nesting mice have been unable to destroy the word of God, handed down for millennia by people of faith.
The endurance of sacred Scripture is the centerpiece of a new interfaith exhibit called Verbum Domini, which brings to the Vatican rare biblical texts and artifacts spanning a period from the third century B.C. to the 17th century.
"We seek to tell the amazing story of the preservation and translation of the most loved, most debated and the best-selling book every year and of all time," said Steve Green, an entrepreneur and the primary benefactor of The Green Collection, a private collection of more than 40,000 biblical antiquities.
Vatican Secret Archives marks 400th anniversary with Rome exhibit
By Catholic News ServiceROME - Working with the city of Rome, the Vatican Secret Archives is celebrating its 400th anniversary with an exhibit designed to shed light not only on its holdings, but on some of the myth and mystery surrounding its collection of millions of documents.
"Lux in Arcana: The Vatican Secret Archives Reveals Itself" opened at Rome's Capitoline Museum Feb. 29 and is scheduled to remain open until Sept. 9.
Vatican archives' officials and exhibit curators said about a hundred original documents are being displayed outside the Vatican for the first time.
Reaching across the Israeli-Palestinian divide with Salt+Light's new documentary
By Michael Swan, The Catholic RegisterTORONTO - Fr. Tom Rosica knows he’s going to get letters. You don’t wade into the conflict between Palestinians and Israelis expecting bouquets of roses.
Controversy has never been a hallmark of Salt + Light TV. Since its launch in the wake of World Youth Day 2002, Rosica has consciously shaped the digital broadcaster as a voice of hope — clear, Catholic evangelism without the rancor, resentments or fear that so often mar religious television.
Despite efforts at balanced, just-the-facts reporting, Salt + Light’s next big documentary will elicit partisan passion for and against Israel, for and against the Palestinian leadership, when it airs later this year.
Messenger of the Sacred Heart won’t give up, and neither will its editor
By Dennis McCloskey, Catholic Register SpecialTORONTO - In 1966 Fr. Frederick Power, S.J., was assigned to be the editor of Canada’s longest running Catholic magazine. He was 42 years old and had no idea that he’d still be at the helm 46 years later. But earlier this month, the 500th edition of Canadian Messenger of the Sacred Heart was published under Power’s stewardship.
Power will turn 88 in May but says he has no plans to step down from the magazine that has been continuously published since 1891. Asked if he has worked out a succession plan for his retirement, the venerable editor smiled and said: “I’m working on it.” In 1997, when he passed the 31-year tenure of a previous editor, he thought: “I might as well keep going.”
Since every saint has a story, artist Caruso will try to tell it
By Vanessa Santilli-Raimondo, The Catholic RegisterRICHMOND HILL, Ont. - Artist Antonio Caruso’s Catholic faith has influenced him from a very young age. And as a sculptor and painter, it has had a strong impact on the artist he became and the various religious subjects he pursues.
Growing up in a very religious family in Italy, he lost his father when he was only 13 years old.
“But I always had visions of my father through Jesus,” said Caruso, who moved to Canada permanently with his family in 1995. The artist now lives in Woodbridge, Ont.
Author aims to bring more light than heat to homosexuality
By Chris Miller, Canadian Catholic NewsEDMONTON - While theology professor Paul Flaman has received positive feedback to his new book Homosexuality and Following Jesus, he expects the ultimate reaction will be mixed.
A priest-psychologist once told him, “It’s practically impossible to say anything significant about homosexuality without getting somebody mad at you.”
Nevertheless, Flaman is out to sow understanding, not division, all the while making the Catholic teaching clear to his readers.
Music ministry aims for the ‘fleshing out of Catholic culture’
By Vanessa Santilli-Raimondo, The Catholic RegisterTORONTO - Musician Susan HooKong-Taylor is doing everything she can in her music ministry to build up the body of Christ.
One way is through a Catholic arts initiative called The Beads.
“The Beads is an initiative that allows people to connect and then to express, to experience and to share a culture of life through the arts,” HooKong-Taylor told The Catholic Register.