Artist Tim Schmalz’s Nativity sculpture spreads joy of Christmas

TORONTO - As sculptor Tim Schmalz works on his Nativity sculpture, he compares it to a Christmas carol — one of the songs of absolute happiness.

“Throughout this process, what happened was the figures became more joyous, the designs became more lyrical… And it wasn’t ‘Silent Night.’ It was definitely one of loud celebration as far as the representation is concerned,” said Schmalz.

The view from here on Dorothy Pilarski's Motherhood Matters

Editor’s note: Dorothy Pilarski’s Motherhood Matters: Inspirational Stories, Letters, Quotes & Prayers for Catholic Moms is sure to make you think about modern-day mothering.

To wit, The Catholic Register has enlisted two reviewers to give us their take on the recently released book.

The book is available to order from our site or by calling (416) 934-3410.

Author forces mothers to take a look at their lives

By Elena Maria Vidal, Catholic Register Special

In Motherhood Matters, Dorothy Pilarski writes with profundity and wit about matters practical and divine. Full of anecdotes and humour, this book makes us take an honest look at the lives of women today and enourages us to focus on what matters most.

Has “liberation” truly led to greater happiness for women? Are children to be viewed as commodities to be acquired just as we acquire a house or car? Or should children be seen as gifts from God given to our stewardship?

Pilarski makes it clear that until we resolve our confusion about such basic questions then peace of heart will elude us.

“We will find happiness in living out God’s purpose for our lives, not our own,” she writes. “The culture of the early 21st century makes it easy to follow mistaken paths. The media bombards us with the temptation to fulfill ourselves, to find ourselves, to meet our own needs. It is a message of selfishness. And it is spread constantly. Magazines, television, radio, films, books and the Internet promote images of the ‘ideal’ career, body, fashion, home, car, vacation, husband and parenting.

“These ‘ideals’ are often reinforced by friends and family. Influenced by these ‘ideals,’ many of us make important life decisions without first considering our relationship with Jesus Christ and our Catholic faith . . .  As Catholic mothers, we are called to dig deep into our hearts and pray that we are actually co-operating with God’s grace . . . Our children are gifts from our Creator who has entrusted the souls of our children to us.”

Motherhood Matters is comprised of dozens of small essays, which makes it easy for busy people to read. Yet it is never disjointed. One paragraph flows seamlessly into another.

Pilarski substantiates her beliefs about women and motherhood, about divorce, illegitimacy, diseases and the many trials of modern life by using not only her own faith beliefs but by employing statistics from several recent studies. The statistics uphold her piety, showing that when we depart from God and His law there is a price to be paid by us, our children and all society.

Pilarski laments that many women are forced to delay childbearing in order to make money. Even when children are born, women must often forgo nurturing their children and creating a home in order to be part of the workforce.

It becomes obvious in Motherhood Matters that modern culture places less value on motherhood than past generations. Motherhood is depicted as a calling of convenience. Is that fair to women? No, and it is definitely not fair to children.

Women today hear repeatedly that their value to society requires that they be breadwinners like men. Other than that, women are often judged by their sexuality.

Can things ever be made right? Motherhood Matters explores many simple and practical ways women can reclaim their feminine vocation. It examines several obvious truths about women and motherhood, which Pilarski illustrates with short stories from her personal experience.

Motherhood Matters entertains, yet it is impossible to read without taking a hard look at oneself. Throughout the book we are enjoined to turn to prayer as the key to finding the path we are called to follow as women and mothers. We are encouraged to watch and pray, especially when we have teenagers.

“Remaining grounded in a fervent prayer life and being aware of the dangerous messages that exist in the media can better equip parents to understand the challenges that vulnerable teenage girls wrestle with,” Pilarski writes. “Awareness leads to conversations we might have never had. But be prepared. I guarantee that those conversations will challenge you, yet I cannot imagine a life without them.”

The choice that lies before each of us is between a life of authentic love and one of  fleeting material gratifications. No one can make the choice for us. Reading a book like Motherhood Matters makes it easier to choose a life of love, a life which foreshadows the eternity of endless happiness and fulfilment.

(Vidal is the author of three historical novels: Trianon, Madame Royale and The Night’s Dark Shade. You can visit her website at teaattrianon.blogspot.com.)

Pilarski makes her case, but it is not for all

By Eleonore Fournier-Tombs, Catholic Register Special

For Western young women, motherhood is not necessarily a fait accompli. It is often a source of public debate, private questioning, discussion and concern. For women in their 20s and 30s, the possibility of one day being a mother is a source of joy, fear, excitement or indifference. Some women want six children and some women want none. Some women can’t decide and many wonder if they can handle it.

As Dorothy Pilarski writes in Motherhood Matters, being a mother can, no doubt, be a meaningful part of a woman’s life — one that is difficult without a strong support network and a solid faith. With today’s social and material pressures, many juggle several full-time commitments and feel exhausted and unappreciated.

But Pilarski doesn’t stop at these generally uncontroversial claims. Her advice is personal and specific. To the modern young Catholic, her point of view can seem contentious and even harsh.

Pilarski is a well-known Canadian Catholic personality who maintains two blogs, “Gutsy Catholic Mom” and “Catholic Talks by Dorothy.” She also regularly writes for The Catholic Register and has, among many writing and television projects, co-developed a series on Salt+Light Television. She is a mother of two and projects a happy family life.

This collection of essays describes meaningful moments and turning points in her life. She uses personal anecdotes to explain specific advice for mothers, building up to a 45-item list on setting spiritual goals.

While the level of detail with which she discusses her own life is interesting and insightful, the assertiveness with which she makes claims about how Catholic women should approach motherhood might be disconcerting. She argues, for example, that Mary would not have asked another person to raise her Son. By that she means that although women should be encouraged to pursue an exciting career before childbirth, they should take several years off to raise their children. She is critical of women who only take one year off after giving birth. But what about those who can’t afford to take time off or who want to start working again soon after their child is born?

Modern women, and their spouses, take many different approaches to parenting. Some couples decide that the wife should pursue her career while the husband stays at home with the children, other families have extended networks that allow for a warm, loving community even while both parents are working.

Just like men, women often struggle to strike a balance between their work, relationships, spirituality and physicality. Striking this balance is a daily commitment, unique to each person. Motherhood may be a fulfilling and meaningful life path, but it is not the only one, nor is there only one way to engage on it.

Pilarski criticizes feminist women, claiming that a woman should instead be feminine. But feminism — the recognition of the need for political, economic and social equality of the sexes — and femininity — a characteristic that is unique to women — can go hand in hand. Women can be both unique and equal by choosing their own path. And perhaps, unlike Pilarski, they may choose to celebrate Halloween, go back to work or take up yoga when their children are in school.

On the other hand, Pilarski describes raising her children in the Catholic faith with such warmth that it is difficult not to be inspired. Living in joy rather than in fear, and creating an environment in which children can explore and express their spirituality are pillars of the loving home. Her tone in these passages is reminiscent of Jean Vanier’s, who said: “We are not called by God to do extraordinary things, but to do ordinary things with extraordinary love.”  

In this sense, motherhood, career or any combination of the two is a vocation that a woman feels called to, and that, when chosen, allows for the full expression of faith and compassion. In order to be a role model for those around her, a woman needs to trust in her conscience and intuition. It is then, in partnership with her spouse, that she can create a joyful atmosphere in which children can enter, if she feels so called to do so.

(Fournier-Tombs is a freelance writer in New York.)

This week's movie releases - Nov 13th 2011

Looking for a movie this weekend? J. Edgar, Immortals and Jack & Jill are the three big releases.

MOVIES01_jEdgar

"J. Edgar" (Warner Bros.)

Clint Eastwood's polished but taxing biographical drama recounts major events in the long public career of famed FBI director J. Edgar Hoover (Leonardo DiCaprio) and attempts to reconstruct his enigmatic personal life. As scripted by Dustin Lance Black, the film informatively chronicles Hoover's rise from obscure bureaucrat to power-besotted keeper of the nation's secrets.

Yet its exploration of the three main relationships in Hoover's life, with his domineering mother (Judi Dench), his girlfriend-turned-secretary (Naomi Watts) and his number two at the bureau (Armie Hammer) -- a man who was certainly Hoover's daily companion over several decades and might have been his lover -- feels sensationalized at times and will prove uncomfortable viewing even for mature audience members.

Brief intense but bloodless violence, a scene of semi-graphic adultery, homosexual and transvestite themes, a same-sex kiss, at least one use of profanity, a couple of rough terms. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian. Some material may not be suitable for children.

MOVIES03_immortals

"Immortals" (Relativity/Universal)

The Greek gods on Mount Olympus watch nervously as the mortals down below go to war in director Tarsem Singh's racy 3-D soap opera that borrows heavily from "300" (2006) and "Clash of the Titans" (2010) in plot and visual style. Centuries have passed since the Olympians vanquished the Titans, bringing tranquility to Greece.

But now an aggressive earthly king (Mickey Rourke) is on the march, vowing the destruction of humankind and "the end of the reign of gods." To close the deal, he must find the Bow of Epirus, "a legendary weapon of unimaginable power," which will allow him to free the Titans (who are in stasis) and become overlord of heaven and earth. Because their code of conduct forbids interference in the affairs of mortals, Zeus (Luke Evans) and his fellow deities look to an ordinary peasant (Henry Cavill) to save the day.

Unfortunately, the good-vs.-evil morality tale behind all this is overpowered -- make that, pulverized -- by persistent mayhem and bloodletting, much of it used for shock value, and not to advance the (rather thin) story. Relentless violence with gore including scenes of torture, upper female and rear nudity, nongraphic premarital sex. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

MOVIES02_JackJill

"Jack and Jill" (Columbia)

Half-witted comedy in which Adam Sandler plays both a successful Los Angeles advertising executive and his well-meaning but irksome, Bronx-based twin sister. When Sis comes to town for her annual Thanksgiving visit, the ad man can hardly wait for her to leave again -- until, that is, she artlessly wins the heart of Al Pacino (playing himself), whom he's been trying to convince to appear in a Dunkin' Donuts commercial.

Director Dennis Dugan's grab-bag of potty humor, harsh slapstick and pop-culture gags is too crude for kids and too puerile for their elders. Much violent slapstick and gross scatological humor, brief implied nudity, some sexual jokes and adult references, at least one crass term. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested.

This week's movie releases - Nov 6th 2011

Looking for a movie this weekend? Tower Heist and A Very Harold & Kumar 3D Christmas are this week's big releases.

Movies1_HaroldKumar

A Very Harold & Kumar 3D Christmas.

NEW YORK - Viewers of faith beware: In its largely vain pursuit of laughs, the comedy sequel "A Very Harold & Kumar 3D Christmas" (Warner Bros.) stoops not only to sexual excess but to anti-Catholic animus and even blasphemy.

The result -- as written by Jon Hurwitz and Hayden Schlossberg and directed by Todd Strauss-Schulson -- is a consistently vulgar, intermittently loathsome insult to the holiday.

The plot -- such as it is -- begins with reformed pothead Harold (John Cho) and unrepentant stoner Kumar (Kal Penn) accidentally burning down the former's family Christmas tree. Since the now-married Harold's intimidating Hispanic father-in-law (Danny Trejo) is a devotee of all things Yule -- and grew the destroyed stately fir himself -- this sets off a frenzied but rambling quest for a replacement.

Along the journey that follows, a secondary character is revealed to have a rendezvous with a teenage virgin named Mary who ardently longs to be deflowered on Christmas Eve. Similarly, when the titular duo concocts a plot to steal a church's evergreen, their imagined scenario involves pornographic images of lesbian nuns as well as pedophile priests chasing choirboys. Another fantasy is set in heaven where a playboy version of Jesus appears, accompanied by two topless angels.

That's not to mention the attempt to mine amusement from repeated incidents where a toddler is inadvertently made high on a variety of narcotics or the claymation sequence that exploits 3-D in a manner the fertility gods of pagan antiquity might have envied.

The general tastelessness on display, but more particularly the assault on Catholic sensibilities, make it sobering to reflect that Penn left his job as an associate director of the White House Office of Public Engagement to be involved in this misbegotten mess.

Anything less engaging than the defamatory interludes and overall "nothing sacred" outlook of his latest project would be difficult to imagine.

The film contains sacrilegious humor, graphic nonmarital and aberrant sexual activity, full nudity, a benign view of drug use, about a half-dozen instances of profanity and pervasive rough and crude language. The Catholic News Service classification is O -- morally offensive. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

Movies2_TowerHesit

Tower Heist

NEW YORK - Workers at a luxury Manhattan apartment building plan to rob a felonious financier in the action-comedy "Tower Heist" (Universal).

What could have been a crowd-pleasing caper is marred by a steady stream of crude language. Though it features some amusing moments courtesy of a talented ensemble, the topical romp is also short-circuited by manic energy that comes across as more slapdash than extemporaneously madcap.

Alan Alda plays Arthur Shaw, a Bernie Madoff-like money manager living in the opulent penthouse of "The Tower," which occupies prime New York City real estate across from Central Park.

After Shaw is arrested by the FBI for securities fraud, Tower employees learn he looted their pension fund. Building manager Josh Kovacs (Ben Stiller), whose job it is to cater to the wealthy residents, feels responsible since he asked Shaw to invest the staff's money. Shaw's patronizing attitude toward him exacerbates Josh's thirst for payback.

Recruiting Slide (Eddie Murphy), a petty criminal from his Queens neighborhood, Josh hatches a scheme to steal Shaw's hidden stash of $20 million. Together with concierge Charlie (Casey Affleck), maid Odessa (Gabourey Sidibe), elevator operator Dev'Reaux (Michael Pena), and bankrupt preppy Mr. Fitzhugh (Matthew Broderick), they put their risky plan into action during the Macy's Thanksgiving Day parade.

Relying on stereotypical ethnic humor, and using expletives to express most every emotion, screenwriters Ted Griffin and Jeff Nathanson don't score high marks for imagination. Their main attempt at being clever involves a famous chess move, which they incorporate in a manner that serves to telegraph the plot.

For his part, director Brett Ratner -- known as much for throwing lavish Hollywood parties as for helming raucous comedies -- stages scenes with little regard for logical continuity and an engaging flow. Loud and fast are his default settings.

The humor in "Tower Heist" is broad, so much so that parents thinking it might be acceptable for older children and teens should be forewarned. Inappropriate expressions, combined with some fairly explicit sexual talk, render the movie morally dubious, regardless of the fact it's being offered in the spirit of "harmless fun."

By underestimating their premise as well as their audience, the filmmakers prove there are better ways to give power to the people and seek justice at the multiplex.

The film contains some profanity, frequent crude and crass language, much sexual banter and innuendo, a suicide attempt and a scene glamorizing alcohol abuse. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

This week's movie releases - Oct 28th 2011

Looking for a movie this weekend? Anonymous, In Time, Paranormal Activity 3,  Puss in Boots, The Rum Diary and The Three Musketeers are this week's big releases.

Anonymous


"Anonymous" (Columbia)

Director Roland Emmerich takes up the old but debunked conspiracy theory that William Shakespeare was a fraud, twisting history to suit a screenplay (by John Orloff) that is preposterous, lewd and farcical. We meet the "real" author of Shakespeare's works, Edward de Vere (Rhys Ifans), the 17th earl of Oxford, as a child prodigy, performing his "A Midsummer Night's Dream" for the young Queen Elizabeth (Joely Richardson). Time passes, Edward writes dozens of manuscripts in secret, has an adulterous affair with the queen, and enlists playwright Ben Jonson (Sebastian Armesto) to stage his works. Enter unscrupulous -- and illiterate -- actor Will Shakespeare (Rafe Spall), who blackmails Edward and usurps his place in literary history.

Several incestuous and adulterous relationships, nongraphic premarital sexual activity, some bloody violence. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

In Time


"In Time" (Fox)

Though stylish, this sci-fi thriller fails to follow through on its chilling premise of a dystopian society in which everyone is genetically engineered to die at age 26 unless they can add more time to their biological clock. So time becomes the only currency. After receiving a chronological windfall, a previously impoverished factory worker (Justin Timberlake) flees the ghetto and, together with a mogul's daughter (Amanda Seyfried), attempts to redistribute wealth to the have-nots. Writer-director Andrew Niccol tries to distract the audience from analyzing the details of his intriguing scenario, but his film plays like a glossy fashion spread with a social conscience.

Nongraphic action violence, including gunplay, a suicide, a glimpse of rear female nudity, several nonmarital sexual situations, at least one instance each of profanity and rough language, several crude terms, some innuendo. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

Paranormal Activity III


"Paranormal Activity 3" (Paramount)

In 1988 California, a videographer (Chris Smith) records the ominous doings of a malevolent spirit that has taken up residence in the house he shares with his new wife (Lauren Bittner) and two stepdaughters (Chloe Csengery and Jessica Brown). Directors Henry Joost and Ariel Schulman's horror sequel follows a tried and true formula to deliver mostly gore-free jolts. But the satanic elements of the plot that eventually come to the fore will make many want to steer clear.

Occult theme, brief harsh violence, drug use, some nongraphic marital lovemaking, a couple of uses of profanity, several sexual references, considerable rough and crude language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

Puss in Boots


"Puss in Boots" (DreamWorks)

Screenwriter Tom Wheeler's exceptionally intelligent and energetic script for this 3-D animated "Shrek" spinoff has the title character (voice of Antonio Banderas) -- accompanied by his childhood friend Humpty Dumpty (voice of Zach Galifianakis) and newfound feline love interest (voice of Salma Hayek) -- going in quest of the goose that lays golden eggs. Director Chris Miller's kid-friendly adventure combines imagery from fairy tales with a story line that makes Puss a mischievous, Zorro-like bandit to present a valuable lesson about the perils of greed and dishonesty.

Parents of young children should know in advance, however, that one of the principal characters dies. Intense action sequences. The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

The Rum Diary


"The Rum Diary" (FilmDistrict)

Smoke, drink, be hung over, repeat is the lusty refrain of this film memoir, set in 1960 Puerto Rico and based on gonzo journalist Hunter S. Thompson's roman a clef about his early years in the business. Writer-director Bruce Robinson and star Johnny Depp, who plays Thompson's alter ego, don't try to glamorize the abundant substance abuse. Rather, they highlight the origins of Thompson's well-known rages against injustice, corrupt politicians and corporate greed.

Still, although sweetly nostalgic at times, this material is strictly for mature adults prepared for its portrayal of drunkenness and drug addiction. Implied premarital sexual encounters, brief partial female nudity, drug and abusive alcohol use, pervasive rough and fleeting profane language. The Catholic News Service classification is L -- limited adult audience, films whose problematic content many adults would find troubling. The Motion Picture Association of America rating is R -- restricted. Under 17 requires accompanying parent or adult guardian.

The Three Musketeers


"The Three Musketeers" (Summit)

Alexandre Dumas' classic costume epic of 17th-century swordsmanship, French patriotism and political treachery is updated with 3-D, slow-motion fighting and two anachronistic airships, one of which has a flamethrower. Director Paul W.S. Anderson downplays the politics to have Matthew Macfadyen, Luke Evans and Ray Stevenson as Athos, Aramis and Porthos, respectively, joined by Logan Lerman as D'Artagnan, fighting mostly for the love of their women.

Probably acceptable for mature adolescents. Fleeting crude and crass language, light sexual banter and highly stylized gun- and swordplay. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG-13 -- parents strongly cautioned. Some material may be inappropriate for children under 13.

For Catholics who want to rock

Calling all Catholic rock fans.

Musician David Wang has launched a new web site that he hopes will contribute to building an online history of contemporary Christian music.

CatholicRock.org went online in August. It is the brainchild of Wang, leader of the award-winning Canadian Christian rock band Critical Mass and a former music columnist for The Catholic Register. It can be found at www.catholicrock.org and features Wang’s collection of Register columns.

A mother’s wish, and more, comes true

Growing up, Denyse Gervais Regan’s mother Marie Louise would always tell her children stories about her life.

Having been left by her mother in an orphanage at the tender age of four, and then going on to have 14 children of her own, what a story Marie Louise Gervais had to share.

“She’d always end by saying my life story would make a good book and I hope one of you kids one day writes that book for me,” Gervais Regan, 73, told The Catholic Register.

Fr. Lewis finds writing meditative, yet challenging

TORONTO - For Jesuit Father Scott Lewis, writing is a dominant part of his ministry.

A columnist for The Catholic Register for the past eight years, Lewis is the author of the recently published God’s Word on Sunday: Liturgy Reflections from Year B.

“You have to open yourself up to the Spirit when you go to write,” said Lewis on where he gets his inspiration from when he sits down to write his weekly columns. Drawn from his Register columns, God’s Word on Sunday examines the Sunday readings of the 2011-2012 liturgical calendar, a year that focuses on the Gospel of Mark. It follows on the heels of last year’s book on Year A.

Mary Jo Leddy shows us the face of the stranger

TORONTO - Mary Jo Leddy, co-founder of Toronto's Romero House, has discovered a school for Christian living. She has learned to live a Christian life by spending her days and nights among people who have been cut adrift by the violent politics and harsh economics we are usually sheltered from in Canada.

Leddy launched her new book The Other Face of God: When the Stranger Calls Us Home [click here to buy] at Regis College Oct. 20. The book is a spiritual guide to the practical, legal and bureaucratic process of settling refugees in this country. She has spent more than 20 years struggling against what she calls the bureaucratic absurdities and moral blindness of Canada's refugee system.

"Systems supposedly designed to do good develop routines of indifference, procedures for acceptable cruelty," she writes in the 150-page Novalis book.

This week's movie releases - Oct 21st 2011

Looking for a movie this weekend? The Mighty Macs, Johnny English Reborn and The Big Year are this week's big releases.

The Mighty Macs

The Mighty Macs

"The Mighty Macs" (Freestyle)

The Mighty Macs is the fact-based story of a women's basketball team from a Catholic college who, through the grit and determination of their rookie coach, got a shot at the national title. This old-fashioned, family-friendly film is "Sister Act" without the singing, "Rocky" with basketballs, and "The Trouble with Angels" with Ellen Bursytn in the Rosalind Russell role of the mother superior.

The year is 1972, the feminist movement is picking up steam, and change is in the air. For Cathy Rush (Carla Gugino), 23 and recently married, this means searching for a role to play beyond that of dutiful housewife to her husband, Ed (David Boreanaz). A star basketball player herself, Cathy missed out on her own chance for glory, as her college eliminated the sport.

Against Ed's wishes, Cathy takes a job at Pennsylvania's Immaculata College (now University), run by the Congregation of the Sisters, Servants of the Immaculate Heart of Mary. The stern mother superior, Mother St. John (Bursytn), has no time for sports; she's trying to keep the school afloat, fighting off appeals from the board and the church to close its doors. Impatient and irritable, she gives Cathy free rein to build a team from scratch. This is Cathy's big chance and, although not a Catholic, she is determined to fit in and succeed, inspiring a ragtag group of girls to become a fighting force by believing in themselves. They practice despite not having a court, with improvised uniforms fashioned from nuns' smocks.

Cathy's faith never wavers, as she hands out "We Will Be #1" buttons all over town. Help arrives in the form of the youngest nun, Sister Sunday (Marley Shelton). Like Cathy, she is struggling with her vocation, trying to find her place in a traditional world. She also shares an interest in basketball. The two bond, and Sister Sunday becomes the assistant coach, drawing out the older nuns to cheer the team on at games. Against all odds, the "Macs" of Immaculata College make their way to their sport's first-ever national championship game. Cathy not only saves herself and her marriage, but the fortunes of the college -- melting the cold heart of Mother St. John in the process.

Directed by newcomer Tim Chambers, "The Mighty Macs" is a feel-good movie offering lessons in friendship, teamwork, trust and perseverance. For the most part, Catholicism is treated with respect, but it serves more as a colorful backdrop than a source for commentary. Sister Sunday provides some harmless comic relief. She lends Cathy a habit so they can qualify for free tickets on United Airlines. ("Second nun flies for free.")

Explaining her call to the religious life, Sister Sunday expresses her love for Jesus. "That whole Cana thing?" she observes, "Jesus just wanted everyone to have a good time."

The entire family will have a good time at "The Mighty Macs." The Catholic News Service classification is A-I -- general patronage. The Motion Picture Association of America rating is G -- general audiences. All ages admitted.

The Big Year

The Big Year

"The Big Year" (Fox 2000)

Warm-hearted seriocomedy in which a business tycoon (Steve Martin), a rudderless nuclear power plant worker (Jack Black) and a home contractor (Owen Wilson) vie to win the titular bird-watching competition by spotting the greatest number of different species over the course of a calendar year. As the builder obsessively tries to defend his seemingly insurmountable previous record, the executive and the slacker form an unlikely friendship as well as an alliance intended to best their sometimes unscrupulous rival.

Director David Frankel's mostly agreeable film -- inspired by Mark Obmascik's book of the same name -- affirms the primacy of family life and personal relationships over materialistic or ego-driven goals. Brief nongraphic marital lovemaking, possible cohabitation, a fertility treatment theme, adultery references, at least one use of profanity, an obscene gesture and a few crude and crass terms. The Catholic News Service classification is A-III -- adults. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

Johnny English Reborn

Johnny English Reborn

"Johnny English Reborn" (Universal)

Elaborately constructed spy spoof -- and cleaned-up sequel to the 2003 comedy "Johnny English" -- in which Rowan Atkinson as the titular secret agent overcomes severe odds to discover who was responsible for the assassination of the president of Mozambique. Atkinson and director Oliver Parker put Johnny -- a combination of Atkinson's Mr. Bean and Leslie Nielsen's Frank Drebin of the "Naked Gun" franchise -- through a series of droll set-pieces.

One dubious, and dull, sight gag aside, they also eschew the less-than-family-friendly humor of the original. Some cartoonish violence, a single tasteless visual joke and fleeting mildly crass language. The Catholic News Service classification is A-II -- adults and adolescents. The Motion Picture Association of America rating is PG -- parental guidance suggested. Some material may not be suitable for children.

New magazine brings faith to public square

More than two years in the making, Canada has a new magazine that intends to inject the voice of faith into public debates.

Convivium, which published its preview issue Oct. 18, is modelled on the influential American publication First Things. And just as First Things has been praised as an important vehicle to explore the delicate relationship between religion and society, Convivium publisher Peter Stockland hopes to engage religious-minded Canadians in public debates about the serious moral and cultural issues of our times.