Arts
Regis College's new homes welcomes its first art show
{mosimage}TORONTO - Artist Catherine Crowe stood quietly, contemplating three of fellow painter Galina Oussatcheva's icons hanging in the lobby of Regis College, and then pronounced, "These are spectacular."
In front of another stretch of wall Jesuit scholastic Trevor Scott was inspecting sculptor Farhad Nargol-O'Neill's 14 compressed and complex stations of the cross, and was very pleased.
In front of another stretch of wall Jesuit scholastic Trevor Scott was inspecting sculptor Farhad Nargol-O'Neill's 14 compressed and complex stations of the cross, and was very pleased.
Repo Men shows how capitalism is a part of us
{mosimage}A certain kind of reviewer, many of them working for the religious press, is going to object to Repo Men because of all the blood and swearing. As if morality consisted of a list of banned words and bodily fluids.
Catholics know morality has nothing to do with purity codes or legalisms. When legalists (sometimes Pharisees and sometimes Scribes) confronted Jesus over purity issues (ceremonial washing before meals), His response was derisive.
Catholics know morality has nothing to do with purity codes or legalisms. When legalists (sometimes Pharisees and sometimes Scribes) confronted Jesus over purity issues (ceremonial washing before meals), His response was derisive.
Artist Galina Oussatchevafaith enlightened through iconography
{mosimage}TORONTO - There’s an art to looking at eternity, but figuring that out wasn’t easy for 29-year-old Russian-Canadian iconographer Galina Oussatcheva.
Oussatcheva grew up in communist and post-communist Moscow at a time when Russian society was still phobic about religion and as secularized and post-Christian as any capital in Western Europe. She first saw Russian icon painting when she was 10 years old, on a class trip to the Cathedral of the Dormition of Mary in the Kremlin.
Oussatcheva grew up in communist and post-communist Moscow at a time when Russian society was still phobic about religion and as secularized and post-Christian as any capital in Western Europe. She first saw Russian icon painting when she was 10 years old, on a class trip to the Cathedral of the Dormition of Mary in the Kremlin.
Fr. Stan tells teens '2' love
{mosimage}U Got 2 Love by Fr. Stan Fortuna, C.F.R. (Our Sunday Visitor Publishing Division, 254 pages, $13.95.)
In the latest instalment of the U Got 2 series from renowned rapping priest Fr. Stan Fortuna, Catholics are not only urged, but called “2” love.
This follow-up to U Got 2 Believe and U Got 2 Pray dedicates itself to the dominant force in our faith and provides Catholics with a desperately needed and refreshing approach to a world stuck chasing impoverished and superficial love.
In the latest instalment of the U Got 2 series from renowned rapping priest Fr. Stan Fortuna, Catholics are not only urged, but called “2” love.
This follow-up to U Got 2 Believe and U Got 2 Pray dedicates itself to the dominant force in our faith and provides Catholics with a desperately needed and refreshing approach to a world stuck chasing impoverished and superficial love.
The refugee rap video funded by Toronto refugee office
{mosimage}TORONTO - When a 14-year-old boy from Sri Lanka arrived on his doorstep in Accra, Ghana, with little ability to communicate in English, 26-year-old Michael Baah saw firsthand just how difficult it can be for refugees to get help.
So he made a music video about it.
The video, “Refugee Appeal,” produced by Martin Mark, director of the Office for Refugees of the archdiocese of Toronto, was posted on YouTube shortly before the United Nations High Commissioner for Refugees declared Piratheeprajh SriVijayarajarajan a vulnerable, at risk youth in need of expedited processing.
So he made a music video about it.
The video, “Refugee Appeal,” produced by Martin Mark, director of the Office for Refugees of the archdiocese of Toronto, was posted on YouTube shortly before the United Nations High Commissioner for Refugees declared Piratheeprajh SriVijayarajarajan a vulnerable, at risk youth in need of expedited processing.
The evolution of Robin Hood
{mosimage}Hodd by Adam Thorpe (Random House UK, 320 pages, $34).
The Robin Hood most of us grew up with was a perfect hero for bookish kids. He was cheerful, generous and just. He surrounded himself with merry men, had a loyal, clever, cute girlfriend and together they robbed from the rich and gave to the poor.
If we thought about it later, we might have regarded the Robin Hood of childhood books, movies and cartoons as a gentleman who had taken sides in the class struggle.
The 'Oprahfication' of forgiveness
{mosimage}Forgiveness: One Step at a Time by Joseph F. Sica (Novalis, softcover, 142 pages, $15.95).
Alas, by the end of chapter one, I was trying hard not to be cynical about this book. This goes beyond my own ongoing struggles with forgiveness. I had read Sr. Helen Prejean’s endorsement on the back cover, in which she says this book will change lives. But the book starts with a clichéd story about a woman named Betsy whose husband has left her for another woman. Betsy, naturally enough, wants revenge and plenty of it: “I want to get even!” she screams at the author, a priest and her spiritual mentor. “I want him to hurt like I hurt!” The scenario and the tired dialogue in particular sounded made up.
Alas, by the end of chapter one, I was trying hard not to be cynical about this book. This goes beyond my own ongoing struggles with forgiveness. I had read Sr. Helen Prejean’s endorsement on the back cover, in which she says this book will change lives. But the book starts with a clichéd story about a woman named Betsy whose husband has left her for another woman. Betsy, naturally enough, wants revenge and plenty of it: “I want to get even!” she screams at the author, a priest and her spiritual mentor. “I want him to hurt like I hurt!” The scenario and the tired dialogue in particular sounded made up.
Restoration help St. John's reconnect with its past
{mosimage}TORONTO - St. John’s Church isn’t what it used to be, but to Lynn East it feels like home.
“This is lovely. It’s like coming home again,” said East as she gazed from the back pew up toward the altar.
East was married at St. John’s on Kingston Road in Toronto’s east end in 1969. Shortly after her wedding the church went through major, post-Concilliar surgery. Not only was the communion rail taken down and the altar turned around, but the icons painted on the wall behind the altar were painted over and the grotto-like shrine for Mary filled in, covering up one of the church’s stained glass windows.
“This is lovely. It’s like coming home again,” said East as she gazed from the back pew up toward the altar.
East was married at St. John’s on Kingston Road in Toronto’s east end in 1969. Shortly after her wedding the church went through major, post-Concilliar surgery. Not only was the communion rail taken down and the altar turned around, but the icons painted on the wall behind the altar were painted over and the grotto-like shrine for Mary filled in, covering up one of the church’s stained glass windows.
Chronicle of Marian devotion doesn't go far enough
{mosimage}Mother of God: A History of the Virgin Mary by Miri Rubin (Yale University Press, 533 pages, hardcover $35).
Despite its title, this excellent new book is not a history of the Virgin Mary — it is a history of devotion to the mother of Jesus in medieval Catholic Europe. It presents the creative ways that Christians — and even some Jews and Muslims — thought about Mary and expressed themselves in writing, music, liturgy, art and popular devotions. It also looks back to the origins of the Marian devotion among Eastern Christians, follows the controversies about Mary during the Reformation and traces the spread of her cult to European colonies.
To write such a history is a daunting task. Nevertheless, a history of Mary must include the last, eventful four centuries.
Despite its title, this excellent new book is not a history of the Virgin Mary — it is a history of devotion to the mother of Jesus in medieval Catholic Europe. It presents the creative ways that Christians — and even some Jews and Muslims — thought about Mary and expressed themselves in writing, music, liturgy, art and popular devotions. It also looks back to the origins of the Marian devotion among Eastern Christians, follows the controversies about Mary during the Reformation and traces the spread of her cult to European colonies.
To write such a history is a daunting task. Nevertheless, a history of Mary must include the last, eventful four centuries.
The Book of Eli surprisingly reverent
{mosimage}More contemplative and lyrical than advertised, the first big action movie of 2010 incorporates religious faith and Judeo-Christian principles to a surprising degree.
Directed by twin brothers Albert and Allen Hughes, The Book of Eli (Warner Bros.) prompts the question whether, assuming a minimum level of respect, the attempt to integrate religion and Scripture into a mass-appeal film is by itself laudable.
Directed by twin brothers Albert and Allen Hughes, The Book of Eli (Warner Bros.) prompts the question whether, assuming a minimum level of respect, the attempt to integrate religion and Scripture into a mass-appeal film is by itself laudable.
Do I have to go to Mass?
{mosimage}Do I Have to Go? by Matthew Pinto and Chris Stefanick (Ascension Press, 156 pages, $12.99).
Many Catholics have asked themselves the question at least once — Do I have to go? — but rarely has the question received such a clear answer as the one provided in this book by authors Matthew Pinto and Chris Stefanick.
Do I Have to Go? explores “the Mass, the Eucharist, and your spiritual life” in easy to read question/answer format. Pinto and Stefanick eloquently cover almost every question imaginable regarding the Mass and the Eucharist.
Gregorian chant is old school for Luke Togni
{mosimage}HALIFAX - Luke Togni is old school — very old school. Or old schola, if you prefer.
Togni, 22, is passionate about Gregorian chant and refers to himself as “second in command” in a Halifax-based chant group, or schola. Directed by Robert Bruce and together for the past two years, the schola sings monthly at St. Thomas Aquinas Church in Halifax, and less frequently at St. Mary’s Cathedral in Halifax.
Togni, 22, is passionate about Gregorian chant and refers to himself as “second in command” in a Halifax-based chant group, or schola. Directed by Robert Bruce and together for the past two years, the schola sings monthly at St. Thomas Aquinas Church in Halifax, and less frequently at St. Mary’s Cathedral in Halifax.
Dead Sea Scrolls shatter ROM records
{mosimage}TORONTO - The Dead Sea Scrolls exhibit comes to a close at the Royal Ontario Museum Jan. 3 after six months of unmatched popularity in the museum’s history.
“It’s definitely come down to between this and the Egyptian Art and the Age of the Pyramids which was in 2000,” ROM media spokesperson Marilynne Friedman said before Christmas. “There’s the expectation that 300,000 people will have visited the scrolls by close on Jan. 3.”
“It’s definitely come down to between this and the Egyptian Art and the Age of the Pyramids which was in 2000,” ROM media spokesperson Marilynne Friedman said before Christmas. “There’s the expectation that 300,000 people will have visited the scrolls by close on Jan. 3.”