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May 2011


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Ethnic vote takes Harper to majority promised land

May 3, 2011

TORONTO - Once a Liberal bastion thanks to immigrants, ethnic voters in Toronto have given Conservatives the majority they sought. "The Conservative ethnic ground game paid off in the end," said Jonathan Luk, the graduating president of the University of Toronto Chinese Catholic Community. Chinese voters in both the 416 and 905 regions responded to values the Conservative Party championed, Luk said. The party took 30 of 44 Greater Toronto Area seats, a key component in gaining a majority government after Stephen Harper presided over two consecutive minority governments. "When we talk about basic issues — the safety of our society, being tough on crime, respect for tradition and respect for hard work — these are values that Chinese people value," Luk said. "I also see Catholic voters are no different when it comes to those things." For Tamils, who found themselves featured in an early Conservative attack ad, the community is hoping the new NDP official opposition and the first-ever Tamil Member of Parliament can hold the Conservatives to account for its immigration policies, said Jessica Devi Chandrashekar. "Those who came out and voted were people who have bared the brunt of the recession and have been unable to reunite with their families because of the Conservative immigration policies," said Chandrashekar. "In Scarborough-Rouge River, a riding comprised mostly of the ethnic vote, (voters) made history in electing Rathika Sitsaiebasan for the NDP. Rathika is the first Sri Lankan Tamil MP elected outside of Sri Lanka. This has enormous significance for Tamil Canadians." Chandrashekar is one of a new generation of voters, some of whom responded in this election in ways never seen before. Vote mobs organized on Twitter and Facebook swept university campuses, demanding young people seize the power of the ballot. "I am 27 years old and born in Canada. This was my first time voting," said Chandrashekar. "I am looking forward to becoming more involved in the political process in Canada and the continued changes that the election in 2015 will bring." The peace vote in Toronto was not overjoyed with the Conservative majority. "A Conservative majority would be a bad thing for the cause of peace," wrote Deacon Steve Barringer of Pax Christi Toronto in an e-mail as results came in on election night. "They have a poor record of listening to interest groups of any kind." Pax Christi plans to ramp up its protests in response to Conservative military and foreign policy. "We will be looking at more aggressive programs, up to and including demonstrations and even civil disobedience against what we believe may be immoral policies," Barringer said. Barringer puts his hope in a strong opposition from the New Democrats. "We believe that Mr. Layton will listen," he said. Catholic eco-theologian and University of Toronto religious studies professor Stephen Bede Sharper is also putting his hope in the NDP opposition, bolstered by the first-ever Green Party seat in Parliament. "With the NDP's emergence, we now have a solid shot at a party that constitutes a real opposition to the Harper government, with the issues of social justice, workers' rights and the widening gap between rich and poor constituting central, rather than ancillary, political concerns," Sharper wrote in an e-mail to The Catholic Register.


Catholic vote makes difference in Conservative victory

May 3, 2011

Conservative Party leader and Canadian Prime Minister Stephen Harper scored a goal that had long eluded him, leading the Conservatives to the majority government he had failed to obtain in the last t hree elections. (CNS photo/Andy Clark, Reuters) [images/stories/canada/canada11/harper_victorious.jpg]OTTAWA - English-speaking Catholics helped ensure a Conservative majority in the May 2 federal election, but the historic surge in Quebec by the NDP signals a preference of state over church in French Canada. The NDP won a record-breaking 58 seats in Quebec, leaving the Bloc Quebecois with just four MPs, well below official-party status in the new Parliament. This triumph by the NDP “sends a signal that Quebeckers still strongly believe in the state” and put their focus on government rather than “the grassroots organizations of civil society,” said McGill University historian John Zucchi. The Conservatives swept to a majority with 167 seats. The NDP will form the official opposition with 102 seats, compared to 34 Liberals, four BQ and one Green Party seat. The anti-church trend in Quebec sets it apart from much of the rest of Canada. An Angus Reid poll released April 22 indicated 59 per cent of English-speaking Catholics who attend church weekly intended to vote Conservative. Half of other Catholics also said they would vote Conservative. Those preferences seemed to stand up on election day and reflected a trend identified in the last two elections in which the Liberals saw erosion of two main pillars of support: Catholic and ethnic voters.


Dorothy Pilarski: For mothers, their time belongs to the family

May 3, 2011

Surrendering to Motherhood, Loosing Your Mind, Finding your Soul by Iris Krasnow [images/stories/dorothy_book.jpg]Sonia Commisso is one of the most remarkable mothers I know. The first time I saw her she was with her young family in the first row at St. Patrick’s Church in Mississauga, Ont. Immediately, I was drawn to her. She prayed devoutly but, more than that, she radiated joy. I wanted to introduce myself, to learn more about her, but something held me back. A short while later I read her story in the Toronto Star. I was stunned. Only then did I introduce myself. Her story of mother’s love and sacrifice had to be shared, so I invited her to join a Catholic mother’s group that meets regularly at my house. Sonia’s husband has multiple sclerosis. Her son has a learning disability and seizure disorder. Her daughter Jesse passed away in 2001. She was 2 1/2 years old. Her other daughter Alessia, who uses a walker and wheelchair, has been diagnosed with the same disease that Jesse succumbed to. She recently celebrated her first Holy Communion. When Sonia arrived, our mother’s group started as usual, with prayer. Then Sonia spoke to us about her life. She is her family’s sole caregiver. Despite the family’s obvious trials, her voice was without bitterness. It was a voice of optimism, fortitude, understanding and, above all, a voice of love. A mother’s love. Where others might be angry, Sonia was cheerful. She was gracious, not resentful; embracing, not withdrawn. But above all she was faithful, trusting without question God’s providence. Her story touched each of us in a different way. But we were all humbled — and inspired. Mother’s Day is a time to acknowledge our mom’s for all they do for us, but for me it is also a day of reflection. I became a mother in the middle of a thriving career — and embarked on a spiritual quest that was like none other I’d ever experienced. I sensed God calling me to radical change, a change I was unsure how to embrace. What type of mother would I be? I thought and prayed about it. I wanted to know what makes a good mother and who was God calling me to become now that I was a mother. My search led me to a book titled Surrendering to Motherhood, Losing Your Mind, Finding your Soul by Iris Krasnow. Krasnow, a prominent journalist and a professor of journalism, brilliantly described the often frenetic experience of balancing a career with motherhood. Her book touched the deepest recesses of my heart and, although she is Jewish, we seemed to be undergoing the same profound experience. We both felt a divine call to the vocation of motherhood. That book helped me realize I needed to turn to my Catholic faith to discern this exciting chapter of my life. I poured through, and was inspired by, hundreds of practical spiritual resources available to Catholics. But I think my real saving grace in this spiritual adventure has been my mother’s group. It has been a blessing and grace to journey with other mothers who love God, the Church and are prayerfully doing their best to fulfill the divine vocation of being a wife and mother. Based on the meetings of our group, Salt + Light Television produced a television series called Mothering, Full of Grace. It abounds with inspirational stories from mothers who live out their vocation of motherhood counter culturally. We’ve laughed, we’ve cried, we’ve prayed, we’ve learned and together we’ve changed. The 13-episode series still airs on Salt + Light and is available on DVD. At our next mother’s group meeting, we will discuss one of the most serious challenges confronting busy mothers today — the lack of time. I was touched by Blessed Mother Teresa’s words: “I think the world today is upside down. Everybody seems to be in such a terrible rush, anxious for greater development and greater riches and so on. There is much suffering because there is so very little love in homes and in family life. We have no time for our children, we have no time for each other; there is no time to enjoy each other. In the home begins the disruption of the peace of the world.” Moms like Sonia already live these words. Her time belongs to her family. She is the embodiment of the divine vocation we call motherhood. Selfless, courageous, faithful and, above all, loving, she has shown us what it means to be a mother in a way that TV programs and books can only begin to describe. (Pilarski, a professional speaker and consultant, can be reached at www.dorothypilarski.com.)


May 4


Enhancing devotion by painting with light

May 4, 2011

Ever since medieval engineers discovered ways to open up the stone walls of their cathedrals, architectural glass has been among the glories of Western imagination. The glass has not always been coloured. Classical Revival architects in the Renaissance wanted their churches and residential interiors lit by clear windows. The pioneers of architectural modernism followed suit — hence the handsome expanses of clear glass in such projects as Ludwig Mies van der Rohe’s splendid Toronto Dominion Centre. But the art of splintering light into the colours of the rainbow returned to architecture with Romanticism. That 19th-century movement in the arts saw the renewal of things the medieval glass-makers knew well: how to paint with light, how to shape and mould interior space with colour, how to fashion moods of devotion with symbols and images and abstract patterns. Toronto artist Sarah Hall is today one of the world’s most talented inheritors of this venerable tradition. And with nearly a thousand works to her credit, she is also one of the most prolific living contributors to her art. Over a career spanning some 35 years, her highly expressive, richly colourful projects have been installed in churches, synagogues, schools and other public places, including an embassy in Ottawa and Toronto’s Scotia Plaza, across Canada and the United States. A book that acknowledges Hall’s accomplishment has been overdue for some time, but at last it has arrived. It’s called The Glass Art of Sarah Hall and is published by Glasmalerei Peters, a German fabrication studio that has translated several of the artist’s complex designs into reality. This portfolio of 27 installations includes a brief introduction by architectural historian Karen Mulder and a thoughtful essay on glass, spirituality and Hall’s distinctive esthetic by J. S. Porter, a Hamilton, Ont., poet and essayist. “The visual artist’s task is to renew — in a world of throwaway marketing images intended to seduce or numb — the viewer’s relationship with the ancient qualities of the heart by new pictorial means,” Porter writes. “Reconnecting with the sacred means revitalizing spiritual traditions that have borne transcendent light throughout human cultures for centuries.” In Porter’s view — and he is certainly correct — Hall performs this task in an original and penetrating way. “Her windows,” he notes, “call us into reverence and contemplation; they evoke wonder and mystery.” They do so by presenting images deeply ingrained in the history of the Christian West — the Cross, the waters of Creation and baptismal Re-creation, the fire of the burning bush and Pentecost — in very fresh, vibrantly hued visual languages. If Hall’s vocabulary of symbols and signs is usually traditional — whether the tradition she is working in is Christian or Jewish or other — her search for creative means equal to the job of communicating ancient meanings has taken her far afield from the realm of simply tinted glass. She casts prisms for inclusion in some works; she hand-paints, laminates, sandblasts and screen-prints her panes and fragments of glass. And in recent years, she has been especially interested in the possibilities for visual drama afforded by new glass products coming off the technological assembly line. Hall first demonstrated the incorporation of photovoltaic cells in her glass art in 2005, for example, in a piece she contributed to Canada’s entry in the U.S. Department of Energy’s Solar Decathlon, an international competition of solar-powered house designs held each year in Washington. This beautiful secular work was called Northern Light, and its cells produced energy that was stored and later used to illuminate the building’s foyer. Her most ambitious handling of new materials so far, however, and the first permanent installation of photovoltaic glass art in North America, is the award-winning True North/Lux Nova. Fabricated in Germany, this lyrical, devout composition, illustrated well in the book under review, was designed for the façade of a 12-metre ventilation tower over an underground theological library at Regent College, a Christian studies institution on the campus of the University of British Columbia in Vancouver. True North/Lux Nova stands in a park at Regent College’s heart, recalling Christian devotion with its inscription of the Lord’s Prayer in Aramaic, the language of Jesus. The religious theme of the piece is further reinforced by 12 crosses that shimmer against a cascade of silvery blue, violet and white. And this luminous tower of fused and etched glass also provides a memorable reminder of the peace that can reign between humankind and the environment: It declines to add to the burden already on the public electricity grid, and, instead, creates from sunshine (via embedded solar cells) the energy needed to power a column of light that glows by night behind the glass panels. Leafing through this volume, I found myself thinking back again and again to a line from Porter’s catalogue essay: “She makes visible the usually invisible thrust of life.” Sarah Hall does exactly that, celebrating in new glass the old symbols by which we know God, life and each other.